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By: Gemma Mastroianni Toronto based Pop artist Zoe Xandra is dropping her brand new EP tomorrow titled, TMI. The EP is all about heartbreak and healing scars, something we can all relate to. Xandra opens up to us about her life story and struggles. It opens up with “Bite My Tongue” which is both uplifting and relatable. The track features some soft guitars with a bit of a delayed effect which gives it a Dream Pop vibe. Her voice is soft but still demanding- perfectly overlayed over the instrumentals and fitting for the pop style she’s going for. The second track “Blah Blah” is essentially about blocking out someone’s bullshit when they’re trying to manipulate or play you in a relationship. It’s about seeing right through someone’s lies and manipulation tactics and how it all turns into the same “blah blah”, even though they may be saying different words. I love the concept of this track! It’s a pretty medium paced track that you could definitely bump driving or getting ready. “Tokyo” is all about daydreaming about your loved one, and where life will take you. I like the pace of this track. It’s a bit slower than the others but it has a nice pace and fluctuation between upbeat and more lowkey. Things speed up once again on “Halfway Bad.” Xandra’s vocals get a bit higher for the chorus of this track which adds a refreshing touch, and you hear a bit more of Xandra’s vocal capabilities. “Air” gets quite deep and personal, switching the vibe to a piano track where you hear even more of Xandra’s voice, which is very beautiful. She opens up about going through pain and heartbreak, and how she coped in unhealthy ways on her own. It’s beautiful and raw not only through her opening up about her story but hearing her vocals a bit more without synths and guitar. I applaud Xandra for being so raw here and I really love how well this track showcased her vocals. The EP closes with “Better Off Alone” which is pretty self-explanatory, but also about the struggle to get someone out of your head. There is a lot of repetition in this track, but I think it exaggerates the idea of not being able to get someone out of your head, and it adds a certain intensity to the track. If you’re a pop music lover you’ll love this EP. Xandra has a refreshing voice with relatable lyrics and is very open about her life and struggles, which is inspiring and something that we need to encourage more of. I loved it and I can’t wait to hear what else she puts out! The EP will be available on Spotify and Apple Music tomorrow! Follow Zoe on Instagram.

By: Gemma Mastroianni & Jared Burke Montreal Indie-rockers Half Moon Run treated concert-goers to a memorable night at Toronto’s Rebel concert hall last Wednesday. The quartets opener, 21 Gun Salute, was a high energy performance that left the crowd in anticipation for more. Their second song, “I Can’t Figure Out What’s Going On” was an upbeat, melodic number with highly impressive vocal harmonies and a flashy guitar solo. The band’s performance was incredibly tight, with all performers displaying talent and dedication to their various instruments. It was complemented by a string section that performed in the rafters directly above. The band’s stage setting could be described as ambient, featuring a fog machine and pale lighting. Half Moon Run thanked a local hockey team who had told the band that they were skipping a game in order to attend the show. Devon Portielje’s lead vocals were delivered with both power and passion. The mix and instrument levels were fantastic. The percussions, strings, keyboards, guitars, and vocals could all be heard with profound clarity. The band’s duel percussion arrangement added a unique touch to the show. Half Moon Run has two percussionists, one of which simultaneously plays the keyboard with one hand, while holding down the beat with his remaining limbs. Half Moon Run’s lead guitar parts were very special. Guitarist/vocalist, Devon Portielje’s solos fit the songs incredibly well. He does not need to rely on layers of effects or complicated shredding to deliver a tasteful and impactful solo that compliments the songs while not overshadowing the rest of the band.

Originally from Niagara Falls, Canada, DJ/Producer ZABO talks about how he found massive fame in China, playing one of the world’s biggest EDM festivals alongside DJ Snake, China’s music scene, meeting fans, and how he plans to market himself in North America. You don’t wanna miss this crazy story! Listen on Spotify and iTunes. Follow Zabo on Spotify and Instagram.

By: Gemma Mastroianni Toronto based pop singer and Tik-Tok phenomenon Chiara Young released new single “One Sided” this past Friday. This is one of the best pop songs I’ve heard thus far to kick-off 2020. I’m pretty picky with my pop music, but this one hits the spot for me because it’s catchy as hell, clever, and diverse. It’s just a matter of time before it hits the charts and is playing on the radio daily! When the song began, I felt some grunge-rock inspiration, but as soon as other pop and electronic elements were implemented, it even reminded me of Chromeo. I like this track because it includes elements of pop, electronic, and rock. In pop music these days, I find that we are beginning to hear less and less guitar, and more synths and electronic features. I think it is crucial that these elements are combined, as guitars can create an amazing foundation for a pop song – like this one! I’m not suggesting that we forbid the utilization of synths and electronics, but rather to continue to combine. Production is sleek and smooth, and overall amazing quality. As I mentioned earlier I’d say this one could easily be played on the radio! Ryan Guay of Street Pharmacy played a big role in the writing and composition of the track. Her voice is smooth and refreshing, and simply beautiful. It’s charming and perfect for this anthem all about struggles through a relationship. I don’t typically write about too much pop music, but I totally love this track! As soon as I heard it it was pretty much stuck in my head (in all the right ways!) Keep your eye on Young as she’s working on her new EP, and releasing a couple more singles in February and April. Follow Chiara on Facebook, Instagram, and Spotify.

Written by: Daniel Dorta Photo Credits: Jayben Favila Rex Orange County played his first of two sold-out shows at the Danforth Music Hall on January 29th. Rex took the stage with a full-band by his side, opening the set with a throwback track, “Never Enough” off of his album, Apricot Princess. His vocals were melodic and charming, and he perpetuated an upbeat charisma. This kept the crowd excited and singing along to just about every tune. Rex captivated the audience through engaging with the crowd throughout the show. He directly chatted with a fan who was face-timing her friend who wasn’t able to be at the show and joked with her. This added a personal aspect to the show. The show featured each band member in a different way, which added another element of entertainment to the night. Each band member had brass solos which were sleek and impressive. Most of Rex Orange County pays homage to themes of relationships and love, evidently bringing many couples out to the show. He played a cover of “No One” by Alicia Keys which was very fitting with these themes. During his performance of “Never Had The Balls,” the stage was quickly transformed into a disco party with crazy colourful lights and disco balls. Confetti cannons were set off into the crowd which created a magical moment that had the entire crowd dancing and singing along. In today’s day and age, it’s nearly impossible for concert-goers to attend a show and not record it on their phones for social media. With that being said, Rex asked the crowd to put their phones away prior to his performance of “Best Friend” so that it could be a moment and everyone could enjoy the show a bit more. It was great to see the crowd agree to this! He ended the show with “It’s Not The Same Anymore” and set off the confetti cannons again. This was such a magical show with lots of love, dancing and singing. Rex and his band put on an amazing show that I will surely never forget. Follow Jayben. Follow Daniel.

By: Gemma Mastroianni 8.5/10 Toronto based artist Alex Southey released his debut album titled, “You’re Not Just a Body To Me” today. This emotional collection of music is an alternative folk album that utilizes singular vocals, soft strings, and atmospheric tones. It is based on the concept of growing pains, overworking one’s self and experiencing burnout, mental illness, and devoting yourself within a relationship. The album title is directed at listeners to send a reminder that no matter what you are struggling with, to not lose your sense of self. When struggling with any form of stress or mental health, it can be easy to fall into that. “Running Into the Water, Nelson B.C” adds to the emotional beginning featuring piano, violin, and some soft vocals. It definitely gave me some Sufjan Stevens vibes with its vocal pace, and the raw emotional aspects to this track. I also can’t help but notice the inspiration of Bon Iver for this track, with naming the place like so. Next is “Angel at the Bed” which is absolutely stunning which some powerful brass and passionate vocals. It does end a bit suddenly though. I would have preferred to hear the brass and guitar continue with a fadeout. “And This Too Shall Pass” is a beautiful track giving us all a reminder that everything is temporary. I really enjoy the intro into “Leaving The Place.” as you hear a slight laugh and someone packing up, leading into some soft guitar tones. Production is generally pretty great on this album. I think instrumentals could have been ever so slightly turned up at times, but the quieter tones also feed into the intimate and calming vibe of the album – so it all depends on the listener’s preference. Southey’s vocals are absolutely stunning. He can pull off singing quiet and softly, similar to Bahamas or Sufjan Stevens, but can also belt beautifully (which I never hear those artists do), which you can witness on “Leaving The Place.”I find many artists tend to stick to one or the other, so his versatility is very impressive. “A Song We Can Slow Dance To” is beautifully romantic and is most definitely true to its title. It starts out fairly quiet and then picks up slightly throughout in tone, with so many stunning undertones. Layering was done flawlessly on this track. It flows into “The Inside of My Head When I Think of University in Vancouver” where he goes into singing about heartbreak ever so slightly, with a quick change of tone. I enjoyed this quick change as it’s relateable. In life, things can be so perfect and change to the complete opposite so quickly – the quick transition brings on a whirlwind of emotions, as it does going in between these tracks. “The Fall Positive” is faster paced but features some beautiful brass components underneath some soft strumming- I really enjoy the pace in this one. This collection of music appears to be a very personal and intimate album to Southey, and it’s fantastic. It’s filled with high’s and low’s that many of us can relate to, especially those of who have experienced heartbreak, depression, anxiety, etc. I think this album is perfect for lounging and relaxing after a long day or even to put on in the background while having dinner with a loved one. It’s delicate, calm, and intimate. Today, Alex Southey begins the #DayLikeItsNightTour, in support of the album and mental health research. Toronto, Ontario – The Painted Lady – 01/30/2020 ​ Montreal, Quebec – Bar Fly – 02/28/2020 ​ Montreal, Quebec – L’Escalier – 02/29/2020 ​ Toronto, Ontario – Tranzac Club – 03/13/2020 ​ Toronto, Ontario – Amsterdam Bicycle Club – 03/21/2020 ​ Toronto, Ontario – Horseshoe Tavern – 03/30/2020 All ticket sales will go to the Centre for Addiction and Mental Health (CAMH), a leading research foundation for mental health.

By: Gemma Mastroianni + Jared Burke Temples played Lee’s Palace in Toronto on Tuesday, February 28th. They entered the stage in all 70’s themed attire, as they typically do. They opened the set with “The Howl,” starting things off with an excellent sounding mix. Although the band put out record “Hot Motion” recently, they played hit songs off of each record, which was evidently appreciated throughout the crowd. Their stage presence was inviting and laid back. Although they didn’t chat up the crowd too much, the performance was enjoyable and nearly flawless. Guitarist Adam Smith broke a string during the performance of “Oh The Savior,” but recovered quickly with a replacement guitar – it was hardly noticeable. Lighting consisted of mostly pink’s, red’s and blues. It would have been cool to see a visualizer implemented into the performance, as they have done in the past. Singer James Bagshaw’s vocals were impeccable, sounding exactly the same as the record. Overall the mix sounded just about the same as the record too. In a small venue like so it is not always easy to capture the sounds but with that being said I believe they did the absolute best they could. This was a great show filled with tons of dancing, sing-alongs, and overall a great vibe. Well done Temples!

By: Amanda McMillan Nearly a decade ago, Wolf Parade announced that they would be taking an “indefinite hiatus.” This news came months after I had opted not to buy tickets to their show in Toronto as they were touring their third album Expo 86. Needless to say, I was very upset that I might have never been able to see Wolf Parade live. Seven years later, the hiatus was lifted and they released the highly anticipated but relatively mediocre album Cry, Cry, Cry. Funnily enough, I still haven’t seen them live. When it was announced that they would be releasing an album in early 2020, I felt hopeful, despite forgetting about Cry, Cry, Cry. I still go back to their debut album Apologies to the Queen Mary often and would consider “I’ll Believe in Anything” one of the best rock songs of the early aughts. Wolf Parade is one of the few Canadian alt-rock bands that easily contented with the US and UK scene back then (along with fellow Montrealers Arcade Fire), and who still continue to make good music that is not only true to their own sound but seems to age like a fine wine. Luckily, with Thin Mind, they brought us something we can really sink our teeth into. Off the top, “Under Glass” makes for a catchy intro to the album, with a screechy guitar lick and fast-paced drum beat lending itself smoothly to Spencer Krug’s distinctive voice. The chorus is a kind of jarring cacophony against the slickness of the verses, repeating “nobody knows what they want,” over and over again, feeling like an apt observation for our times. Next, we have “Julia Take Your Man Home”, which evokes a sound reminiscent of early Interpol. The song introduces us to ‘Julia’s man’ who seems like a bit of a degenerate. He’s unpredictable and probably has some addiction issues. However, there is something intriguing and Bowie-esque about the lyrics: “He keeps talking about New Jersey/ and cocaine/ and some person he keeps saying is made of glass.” The whole song sounds like a story from Meet Me in the Bathroom – it’s messy and poetic. The transition between the intensity of “The Static Age” and the piano intro to “As Kind as You Can” feels like catching your breath, as you sink into the slow roll of the song. But just as we’re getting comfy, the guitar gives us a little edge, not quite resolving how we expect it to. Sweet Wolf Parade, always keeping us on our toes! As we reach the end of the album, “Against the Day” is a clear nod to the band’s 80s New Wave influence, with gritty synth, and spacey electronic drum fills. This might be the furthest they’ve pushed their sound into this direction, but it polishes off the record nicely, leaving us with something a little different to explore. The 10-track album clocks in at 43 minutes (coincidentally their shortest album), but feels longer. Perhaps it’s just robust, with lots to uncover from track to track. This album seems to lean more heavily into a New Wave vibe, from the use of synth, the drumming patterns, guitar effects, and even the timbre of Krug’s vocals. There’s something mature about this album, it’s slick without being overly produced, and familiar in a way that’s inviting rather than boring. Thin Mind is a step into what is hopefully a new decade of music from Wolf Parade, one that marks an evolution of their sound without sounding foreign or strange, and an album that fans can feel they’ve grown into. This album evokes more nostalgia for the early days of the band, giving us a reminder of why we listened in the first place, without sounding like we’ve heard this before. The band has certainly grown up, and so have we. But the more I listen to Thin Mind, the more I realize it’s nice to know all is not lost in getting older. Follow Amanda on Instagram and Twitter.

By: Gemma Mastroianni For those who have been following along with me for the past few years, you know how much I love taking my annual Osheaga trip! I was stoked to see this fantastic lineup drop! Bell Alt TV is presenting the 15th-anniversary OSHEAGA 2020 in collaboration with Coors Light from July 31 to August 2 at Parc Jean Drapeau in Montreal. I attend Osheaga every year because of their continuous history of amazing lineups, organization, and overall festival experience. Their audience is built of local and worldwide music lovers that return annually to experience the bliss of Osheaga with tons of live music and more! The venue is set on an island in the middle of the St Lawrence River which overlooks the beautiful Montreal skyline. The festival also has an endless selection of exciting food, cocktails, art installations, and an eco-friendly environment. With all of this said, here are the acts ill be checking out this year: Foo Fighters, Vampire Weekend, Rex Orange County, Chris Lake, Kraftwerk, Clairo, Oliver Tree, Kendrick Lamer, Bon Iver, July Talk, and more! Another aspect of Osheaga that I love is the opportunity to discover new music. I love doing this at festivals because I find that when I get the chance to experience the music live and witness their performance and passion, it draws me even closer to the artist as opposed to just checking out their tracks online. Get your tickets here!

By: Amanda McMillan Happy Thursday! Here is what I’ve been into this week. 13th Floor – Haviah Mighty Winner of the 2019 Polaris Prize, Haviah Mighty is a Brampton born wrapper who, in my opinion, puts Drake to shame. She’s received very high acclaim from notable hip-hop publications such as XXL, and Complex, and her track “Vamanos” was featured on HBO’s Insecure. Haviah Mighty is the real deal – she can rap, she can sing, she has killer style, and pens truly inspirational lyrics. If you haven’t heard of her yet, don’t sleep on it. There is a new wave of hip-hop & R&B that’s been steadily coming out of Toronto and the GTA that’s being heard well outside of Canada. 13th Floor is well on its way to having its shockwaves felt far beyond The 6ix. Golden High Flow Acrylic Paint I recently started to get into painting, mostly out of curiosity, and also to try a new form of creativity. I came across Golden High Flow paint and it is siiiiiiick. It’s got a little bit of an inky vibe, but dries like acrylic paint. It has a really low viscosity, much like ink, but spreads really well and has a vibrancy that’s more in line with markers than paint. I only bought one colour, but now that I have it, I wish I had bought a whole kit! If you’re interested in playing around with something new and creating a different vibe in your art…or even just START making art, check this stuff out! Empanadas at Field Trip Café Okay, so they aren’t as phenomenal as some of the empanadas you will find in Kensington Market, but it was a truly delightful treat when I was working there last week. The Bloorcourt cafe also boasts a good selection of craft beer, great coffee, and other baked goods. But those empanadas, though…served with a side of cilantro mayo. *chef’s kiss* It’s the perfect snack! Podcast: The Dream This is a podcast about pyramid schemes, or rather, Multi-Level Marketing (MLMs). It takes a deep dive into the history, politics, and quite frankly the sexism, that surrounds these organizations and why they just won’t go away. Season 2 focuses more specifically on the Wellness industry, which often overlaps with MLMs. It’s an interesting, smart, and really well-investigated podcast that I devoured in a matter of days. If you’re looking for the next thing to get curious about, download The Dream. Crystals Listen, do I think that crystals actually work? No, I do not. But do I think that they are pretty, and kind of fascinating? Yes, I do! I recently ventured into Happy Soul on Bloor west just before Christmas to get a couple of little stones for my partner’s stocking, more as a bit of a joke than anything. However, as I was looking at them and reading about them, I realized that I could pick ones that felt thoughtful and had a specific ‘purpose’ that I felt would resonate with her. So I bought some, and she did appreciate the thought that I put into it! Since then I have bought some for a few friends, who also had the same reaction. Ultimately, I made it clear that I don’t buy into the ‘clear your chakras’ way of life, but there is something really nice about buying someone something beautiful that also has a little personal touch. So, you know what? Maybe I like crystals now. But you can’t judge me anymore than I am already judging myself. Follow Amanda on Twitter, and Instagram.

By: Gemma Mastroianni This week on Wavy, Robyn Bond, the drummer from Blankscreen discusses her journey to becoming a musician, experience in the Toronto Music Scene, attending a Cognitive Learning school, and more. Check it out on Spotify and Itunes.

By: Gemma Mastroianni Toronto based pop-trio, Navigate The Sky has released their first-ever self-produced single titled, “Something Different.” The pop rooted track features heavy basslines and slow synths that carry the track at a nice pace. Vocals are also layered and echoed but still sound natural, with some faint background support. Lyrically, it’s all about falling in love with someone and hoping that they feel the same- something that we have all generally felt before, making it relatable to everyone! I’m totally a sucker for themes like so. Specifically, this was inspired by singer, Brendan Distefano meeting someone last May in Toronto. He was inspired by the beauty of this moment and wrote all about, in which the band came together and structured the track. This was the band’s first step in the direction of self-producing as a band. Derek Hoffman (Arkells, Like Pacific, The Flatliners) produced their previous tracks, but the band felt like collaborating together was the next step to make. The band is not currently partnered with a label, nor do they have any funding. All members had been practicing production for a long time and saw other artists doing it, so they collaborated and succeeded with this very high-quality and well-produced track, “Scott Helman did it so we were like “screw it, let’s do it!” The trio recorded it in a mixture of different spots- they all have their own bedroom studios, and they booked a vocal booth to have treated vocals, and mixed the track in the program, Protools. “Something Different” differs from past releases because it is completely original to the trio, without any other opinions. This experience made them feel closer to the song for this reason. Sonically, it also rhythm in the vocals that they haven’t played with before. The guys are going to release a couple of more singles, and plan to close off the year with an EP. Listen on Spotify and Apple Music. Follow them on Instagram, Facebook, and Twitter.